Recordings produced to accompany an exhibition organized in 1988 in Düsseldorf by the Düsseldorf Symphoniker and its director, Peter Girth, as well as by Albrecht Dümling 50 years after the exhibition organized under the same name by the Nazi regime. A year or so after the opening in Munich of the exhibition "Entartete Kunst" (Degenerate Art), the cultural politicians of the Nazi regime put on another, much less well-known show: this exhibition, entitled "Entartete Musik", was staged in Düsseldorf in 1938. It was not attended by many prominent musicians, and did not impress Joseph Goebbels, who wrote about it in his diaries. See more ideas about degenerate art, art exhibition, german art. In 1937 in Munich the Nazis held an art exhibition of what they called Entartete Kunst, or Degenerate Art. Entartete Musik A year or so after the opening in Munich of the exhibition "Entartete Kunst" (Degenerate Art), the cultural politicians of the Nazi regime put on another, much less well-known show: this exhibition, entitled "Entartete Musik", was staged in Düsseldorf in 1938. Für den, der Interesse am Thema oder auch nur der Musik der Zeit hat sehr zu empfehlen. Entartete Musik. A multitude of isms sought to supply the answer to society’s needs: Socialism, Fascism and Communism, together with other schools of thought. Search All 1 Records in Our Collections. Entartete Musik exhibition. I. GERMAN VERSION. 1 Joseph Goebbels, “Zehn Grundsätze deutschen Musikschaffens,” Amtliche Mitteilungen der Reichsmusikkammer 5 (1938), facsimile in Albrecht Dümling and Peter Girth, eds. Entartete Musik (degenerate music) was a concept promoted by the German Third Reich in order to suppress everything that they thought was politically and doctrinally off-key. The measures of Reichmusikkammer were retroactively applied to Alban Berg (deceased in 1935) or even Felix Mendelssohn–Bartholdy; in 1938, on the occasion of Reichsmusiktage in Düsseldorf an exhibition of Entartete Musik (later replicated in Weimar and Wien) was showed. Entartete Musik or degenerate music. Entartete Musik: eine Tondokumentation zur Düsseldorfer Ausstellung von 1938. Entartete Musik. In 1988, the exhibition ‘Entartete Musik’ was put on in Düsseldorf, exactly 50 years after the original event held by the Nazis. Museum: PRIVATE COLLECTION. Whereas the Nazi exhibition “Entartete Kunst” has after the war several times been reconstructed (in Berlin, Munich and Düsseldorf), the music exhibition of Düsseldorf 1938 was nearly forgotten. (Compact Disc) [Find in a library near you] Recordings produced to accompany a 1998 exhibition in Düsseldorf to commemorate the music declared “degenerate” by the Nazis in an exhibit of the same name fifty years earlier. Next year will see an exhibition on 'degenerate art.' The Museum’s Collections document the fate of Holocaust victims, survivors, rescuers, liberators, and others through artifacts, documents, photos, films, books, personal stories, and more.Search below to view digital records and find material that you can access at our library and at the Shapell Center. Things that they thought were foreign influences, not sufficiently Germanic. The government even created a museum exhibition in Düsseldorf, Germany titled “Entartete Musik,” (Degenerate Music) to educate visitors about dangers of Jewish and foreign music. Dec 4, 2014 - Explore Yury Ostromentsky's board "Entartete Kunst", followed by 192 people on Pinterest. Mai 1938 in Düsseldorf die Ausstellung »Entartete Musik« eröffnet, in der moderne Musik, Jazz und Werke der bildenden The Nazi government's concern for degenerate music was a part of its larger and more well-known campaign against degenerate art ('Entartete Kunst'). The exhibition also traveled to other cities, including Amsterdam, and became the occasion of much discussion. Degenerate music was a label applied by the Nazi government in Germany to certain forms of music that it considered to be harmful or decadent. Poster for exhibition "Entartete Musik", Duesseldorf, 1938 Entartete Musik . Degenerate Music: Music Banned by the Nazis brings together song, visuals and spoken word in an effort to recover the lesser-known works of composers silenced by the Nazi regime.. The year 1938 saw the mounting of the infamous Entartete Musik (Degenerate music) exhibit, modelled on the successful earlier touring exhibition of Entartete Kunst (Degenerate art). I t wasn’t until I saw a copy of the 1938 pamphlet for the Entartete Musik (Degenerate Music) exhibition that I fully grasped the concept behind … Dieser Überblick zur Austellung "Entartete Musik" von 1938 in Düsseldorf läßt die Ignoranz der Nazis gegenüber Kunst und Kultur erahnen. In 1938, an exhibition was mounted called ‘Entartete Musik’ (‘Degenerate Music’) in order to point out to the German public what music was degenerate (meaning ‘not normal or desirable’), to demonstrate its dangers, and celebrate its removal from German society. The term ‘entartet’ (degenerate) was … I stumbled upon the poster for the Degenerate Music exhibition (Entartete Musik) held by the Nazi government, beginning in 1938, and was completely hooked by it. Created by Albrecht Dümling and Peter Girth. So wurde am 24. Shop Entartete Musik: A Documentation in Sound of the Nazis' 1938 'Degenerate Music' exhibition. A year or so after the opening in Munich of the exhibition "Entartete Kunst" (Degenerate Art), the cultural politicians of the Nazi regime put on another, much less well-known show: this exhibition, entitled "Entartete Musik", was staged in Düsseldorf in 1938. Degenerate music (Entartete Musik) was a label applied in the 1930s by the Nazi government in Germany to certain forms of music that it considered to be harmful or decadent.The Nazi government's concern for degenerate music was a part of its larger and more well-known campaign against degenerate art ('Entartete Kunst'). Sehr lehrreich und abschreckend die Ausführungen des "Führers und seiner Subalternen zur Musik. The purpose of the exhibition was to let the Germans know that some forms and pieces of art were not accepted by the "highest race", and this art is "degenerate", also called as Jewish or Bolshevistic. Thu, 27 Nov 201 4, 1 9:30 – Entartete Musik. The Nazis planned to use music, as well as other arts, as a political tool to unify and educate the racially pure German Volk. "Entartete Kunst" - Degenerate Art . In 1938, a smaller exhibition of Entartete Musik, or degenerate music, in Dusseldorf included opera and operetta, twelve-tone music, and jazz as well as works by Jewish composers and modernists including Hindemith, Schoenberg, Weill, Berg, and Stravinsky. Devised by Peter Brathwaite, is a critical song-based reconstruction of the infamous Entartete Musik (Degenerate Music) exhibition of 1938, intended by the Nazi government to alert the German public to “inferior and ultimately dangerous” forms of music, particularly jazz and Jewish music. In the early 20th century an experimental wave of modernism swept over Central Europe. Much has been made of the Entartete Musik exhibition in Düsseldorf in 1938, now and also after 1945, but this was not a large-scale event and was in many ways a personal obsession of the organiser Hans Severus Ziegler. Personalities like Freud came up … A critical song-based reconstruction of the infamous Düsseldorf exhibition of 1938, intended by the Nazi government to alert the German public to “inferior and ultimately dangerous” forms of music, particularly jazz and Jewish music. Everyday low prices and free delivery on eligible orders. Following the example of the notorious Entartete Kunst art exhibition in Munich in 1937, Nazi cultural politicians mounted an Entartete Musik exhibition the following year in Düsseldorf in connection with the first Reichsmusiktage (‘National Music Days’). In 1988, the exhibition ‘Entartete Musik’ was put on in Düsseldorf, exactly 50 years after the original event held by the Nazis. Everything that was deemed not to have a place in the Nazi musical culture was presented through audio excerpts, photos, and accompanying texts. OCLC Number: 33951731: Notes: Contains musical selections and speeches. Berlin: POOL Musikproduktion, 1988. Degenerate Music (Entartete Musik) was a label applied in the 1930s by the Nazi government in Germany to certain forms of music that it considered to be harmful or decadent. Inspired by the Munich exhibition “Entartete Kunst,” and in the context of the Reich-Musiktage in Dusseldorf (celebrating Richard Wagner’s 125th birthday,) Hans Severus Ziegler organized an exhibition entitled”Entartere Musik,” wherein he polemicized against what the Nazis regarded as degenerate music - primarily jazz and of course anything composed by Jewish musicians. Still, it’s a worthwhile disc of well-played music, and it points out that, in the 1938 Entartete Musik exhibition in Düsseldorf, “the most degenerate instrument was deemed to be the saxophone, not least on account of its relationship with jazz, and thus Afro-American culture and the fusion of musical genres.” Die Ausstellung »Entartete Musik«, Düsseldorf 1938. Entartete Musik (Degenerate Music) with Peter Brathwaite (baritone). Entartete Musik: music suppressed by the Third Reich. newspaper / magazines, accompanying booklet, exhibition 'Entartete Kunst' (Degenerate Art), 1937, cover, reprint, 1969, Additional-Rights-Clearences-Not Available Degenerate music (Entartete Musik). In 1938, an exhibition entitled “Entartete Musik” (Degenerate Music) opened in Düsseldorf, touring to Weimar, Munich, and Vienna. “Entartete Musik” Reconstruction of the Nazi exhibition Düsseldorf 1938 . This exhibition showed that the music the Nazis censored was not based on type or style, but rather the racial characteristics of the people who wrote and played it. Vorschlag: Falls der Begriff "entartete Kunst" in den USA eher unbekannt sein sollte, könnte man den Begriff "degenerate" in Anführungszeichen setzen, um zu verdeutlichen, dass dies ein historischer Terminus ist. Auch im Rahmen anderer politischer Propagandaausstellungen wurden Werke Klees diffamiert. 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